Born 1960 in Esslingen, Germany
Lives and works in Berlin, Germany
Matthias Dornfeld
The paintings of Matthias Dornfeld are based on his longtime interest in conventional themes, such as portraiture, landscape and still life. Within his interest in particular painting discourses, he not only operates in the tradition of classical pictorial genres, but also generates a visual aesthetic characteristic of earlier approaches to naïve expressive painting. Dornfeld’s work ultimately demonstrate that they are more acutely situated in the inventive painting strategies of analytical abstraction.
He explains: “The subjects and motives are simple, they come without thinking. They’re stupid, banal, commonplace, clichés.” It is through the repetitive use of the familiar, even boring—both in process and in subject matter—that Dornfeld subverts these painterly tropes and, in turn, makes them strange, makes them funny. (courtesy of Mousse Publishing)
The work of Matthias Dornfeld is shown internationally, including at Neuer Aachener Kunstverein, Aachen; Helsinki Contemporary, Helsinki; Salon Dahlmann, Berlin; San Juan, Puerto Rico; and Deichtorhallen & Sammlung Falckenberg, Hamburg.
Biography
Selected Works
Matthias Dornfeld
Untitled (Portrait)
2022
Oil on canvas
80 × 60 cm
Matthias Dornfeld
Untitled (Vase series)
2022
Acrylic on canvas
130 × 100 cm
Matthias Dornfeld
Untitled (Horse series)
2022
Acrylic and gouache on canvas
160 × 230 cm
Matthias Dornfeld
Untitled
2022
Oil and acrylic on canvas
150 × 130 cm
Matthias Dornfeld
Untitled (Flowers)
2017
Oil on canvas
60 × 50 cm
Matthias Dornfeld
Untitled (Flowers)
2021
Acrylic, gouache and oil on canvas
100 × 70 cm
Matthias Dornfeld
Untitled (Trotzdem)
2021
Oil on MDF
155 × 115 cm
Matthias Dornfeld
Untitled (Portrait)
2021
Acrylic and gouache on canvas
110 × 80 cm
Matthias Dornfeld
Untitled (Tier oder so)
2017
Oil on MDF
100 × 80 cm
Matthias Dornfeld
Untitled (Horse series)
2020
Oil on canvas
180 × 200 cm
Exhibitions
Texts
"Humans, Robots, and the Animal within", Katharina Weinstock, 2017 (pdf)
A vase is just a vase is just a vase, Thibaut Verhoeven, 2014 (pdf)
"Chatos Land", by Hans-Jürgen Hafner, 2010 (pdf)
"Der große Graben oder Anachronismus als Chance", Daniela Stöppel, 2008 (pdf in German)
Essay by Doris Mampe, 2005 (pdf in German)