Born 1941 in Cleveland, Ohio, United States
Lives and works in San Francisco and New York, United States
Lynn Hershman Leeson
Over the last five decades, artist and filmmaker Lynn Hershman Leeson has been internationally acclaimed for her art and films. Cited as one of the most influential media artists, Hershman Leeson is widely recognized for her innovative work investigating issues that are now recognized as key to the workings of society: the relationship between humans and technology, identity, surveillance, and the use of media as a tool of empowerment against censorship and political repression. Over the last fifty years she has made pioneering contributions to the fields of photography, video, film, performance, artificial intelligence, bio art, installation and interactive as well as net-based media art. ZKM | Center for Art and Media Karlsruhe, Germany, mounted the first comprehensive retrospective of her work titled Civic Radar. A substantial publication, which Holland Cotter named in The New York Times “one of the indispensable art books of 2016.”
Lynn Hershman Leeson has been awarded a special mention from the Jury for her participation in the 59th International Art Exhibition of La Biennale di Venezia – The Milk of Dreams. The award was presented with the following motivation: “for indexing the cybernetic concerns that run through the exhibitions in an illuminating and powerful way that also includes visionary moments of her early practice that foresaw the influence of technology in our everyday lives.”
She is a recipient of a Siggraph Lifetime Achievement Award, Prix Ars Electronica Golden Nica, and a John Simon Guggenheim Memorial Foundation Fellowship. In 2017 she received a USA Artist Fellowship, the San Francisco Film Society’s “Persistence of Vision” Award and will receive the College Art Association’s Lifetime Achievement Award.
Her six feature films – Strange Culture, Teknolust, Conceiving Ada, !Women Art Revolution: A Secret History, Tania Libre, and The Electronic Diaries are all in worldwide distribution and have screened at the Sundance Film Festival, Toronto Film Festival and The Berlin International Film Festival, among others. She was awarded the Alfred P. Sloan Foundation Prize for writing and directing Teknolust. !Women Art Revolution received the Grand Prize Festival of Films on Art.
Biography
Selected Works
Lynn Hershman Leeson
Blue Crown
2001
Photography, digital pigment print
165 × 75 cm
Lynn Hershman Leeson
Water Woman with Twins
2005
Photography, digital pigment print
139 × 107 cm
Lynn Hershman Leeson
Roberta’s Construction Chart #2
1975
Chromogenic Print
67 × 80 cm (framed), 50 × 64 cm (image)
Lynn Hershman Leeson
Call Me (from the Phantom Limb series)
1987
Photograph
51 × 61 cm
Exhibitions
Texts
Lynn Hershman Leeson's "First Plural", by Stefanie Hessler, 2019
The Other Art History: The Forgotten Cyberfeminists of the 90s Net Art, Artspace, January 2019
Feature on Lynn Hershman Leeson, The Art Newspaper China, September 2019 (pdf in Chinese)
Lynn Hershman Leeson's Art Opens the Doors to Mysterious Labaratories, Hyperallergic, June 2018
Lynn Hershman Leeson: Cool Science, The Art Newspaper, June 2018 (pdf)
Karen Archey on Lynn Hershman Leeson, 2018 (pdf)
https://www.artforum.com/print/reviews/201505/lynn-hershman-leeson-51579
The importance of being Roberta:
https://www.shanghartgallery.com/galleryarchive/texts/id/8827mons, Frieze Magazine, February 2015